100 ESSENTIAL BRAZILIAN SONGS YOU MUST HEAR Part 7: The 2000-2010s

Contemporary music –in Brazil, France and elsewhere- has been greatly influenced by social media, video sharing and music streaming, all trademarks of the 2000s and beyond. Specifically for Brazilian music, this globalizing phenomena has had positive, as well as deleterious consequences: increased foreign songs topping the charts on one side, but also Brazilian mainstream music massively available to the rest of the world. The proof: songs like Mc Fioti’s “Bum Bum TamTam” with more than 1 billion! views on YouTube, and Michel Teló’s “Ai Se Eu Te Pego” with over 800 million views…

Despite globalization, Brazil internal music market has seen a meteoric increase in popularity of regional rhythms during this period, mainly sertanejo. Actually, sertanejo is Brazilian audiences‘ preferred music genre .

No one can deny that Brazil is a country with a powerful musical history. Going through all its music repertoire while preparing this series of articles, I can’t help but admire even more its distinct and perennial beauty. Are things changing though? Is Brazilian music going through a phase of decadence? This is an ongoing debate in the country nowadays… Many music critics are definite: today’s consumer society –they believe- leads to “consumable music”; moreover, they blame the universal predominance of sertanejo as responsible for the lack of musical diversification nowadays. “We always had good music and bad music in Brazil -says one critic- but there was a balance. At this time, at least 90% of what record companies release is totally disposable”. Some go even further and state that pagoda, sertanejo and electronic forró are “a tsunami of musical trash unprecedented in the history of Brazilian music”. Other critics are more optimistic. Véronique Mortaigne, writing an article in The Guardian, states that: “Brazil is surfing a musical new wave that is now reaching Europe”, making emphasis on the quality of certain musicians’ work “not afraid to mix the old and the new, irritating a few purists along the way”.

The debate could go on forever. What is certain is that there are still many bright examples of fine Brazilian music. Check out my list with some of the most remarkable songs of the 2000-2010s, go ahead and Brazilify” your playlist!

87) Bebel Gilberto – “Samba da Bênção” (2000) 

Bebel Gilberto is an extremely talented bossa nova singer, and it couldn’t be otherwise: she is the daughter of Joao Gilberto and Miucha, and the niece of Chico Buarque

She became worldwide known after the release of her amazing album Tanto Tempo.  This particular song was written by Vinicius de Moraes and Baden Powell; it was featured in the movie Eat, Pray, Love. Read more here.

 

88) Pato Fu – “Ando meio desligado” (2001) 

This psychedelic anthem was composed by the iconic band Os Mutantes in 1970; it was listed by Rolling Stone Brazil as the 50th greatest Brazilian song.

Of the many re-recordings the song has had, I like this one, by the Belo Horizonte band Pato Fu.

 

89) Gabriel o Pensador – “Até Quando?(2001) 

Known for his intellectual and controversial lyrics, rapper Gabriel o Pensador (“Gabriel the Thinker”) stepped into the limelight with his provocative composition “Tô Feliz (Matei o Presidente)” [I’m Happy (I killed the President)]. He has had a highly successful career since then, topping often the charts with his gold or platinum-certified albums.

Até Quando? (“Until when?”) was released in the album Seja Você Mesmo (mas não Seja sempre o Mesmo) (“Be Yourself (but not always the same”). Its compelling lyrics address the issue of conformism. It was highly praised by most critics and received an award at Brazil’s MTV Video Music Awards.

 

90) Cássia Eller & Nando Reis – “Relicário” (2001)

Cássia Eller is one of the most successful pop singers/composers in Brazil. Owner of a distinctive contralto voice, she was rated as the 18th greatest vocalist by Rolling Stone Brasil.

This beautiful song was composed by Nando Reis and was included in the live album Acústico MTV, where she sings it together with Reis; it is Cássia’s final album before her death on December 29, 2001 at 39 years old.

 

91) Tribalistas – “Velha Infancia ” (2002)

Tribalistas is a Brazilian musical supergroup consisting of Arnaldo Antunes (ex-Titãs), Marisa Monte and Carlinhos Brown (Timbalada). Their debut collaboration resulted in the popular album Tribalistas, which attained considerable popularity in Brazil and Europe. The curious thing with this popular group is that, despite their great success, they have rarely performed together, deciding to go on a world tour just now in 2018.

Among their most popular songs are “Já Sei Namorar” (included on the video game FIFA Football 2004), “Passe em Casa“, “É Você” and “Velha Infância“, played on the Brazilian soap opera Mulheres Apaixonadas.

 

92) Paulinho da Viola & Marisa Monte – “Carinhoso” (2003)

Alfredo da Rocha Vianna Jr. was not yet Pixinguinha when he began to be called a prodigy, enchanting with his unusual musicality and facility for instruments and improvisations. Considered till nowadays a musical genius,  Pixinguinha is regarded as  one of the greatest Brazilian composers of popular music, particularly within the genre choro. “Carinhoso“,  was recorded in 1928 and has remained as one of the most famous melodies of Brazilian popular music. Incredibly enough, he received heavy negative criticism at that time, with complaints that it was “too Americanized.”

From Marisa Monte to Elizeth Cardoso, from Paulinho da Viola to Francisco Alves, from Elis Regina to Marcelo Camelo, dozens of artists made their impassioned interpretations of “Carinhoso”; one of my favorites is this one, by Marisa Monte and Paulinho da Viola.

93) Zeca Pagodinho – “Deixa A Vida Me Levar” (2004)

Zeca Pagodinho is a singer and songwriter considered a great name of the genre samba and pagode. He has recorded more than 20 albums and has become immensely popular, not only due to his irreverence and jocosity, bur mostly due to his rare talent, praised by critics and consecrated artists.

This song gives name to his 2004 album Deixa A Vida Me Levar (“Let life take me”), it was extremely successful, becoming double-platinum certified.

 

94) Sergio Mendes feat. Stevie Wonder & Gracinha Leporace – “Berimbau / Consolação ” (2006)

The berimbau is a single-string percussion instrument. Originally from Africa, it was eventually incorporated into the practice of the Afro-Brazilian martial art capoeira. The instrument became worldwide known for being the subject matter of this song, which belongs to Baden Powell and Vinicius de Moraes.

Maybe one of the most famous versions of “Berimbau / Consolação ” is the one performed by Toquinho and Maria Creuza in 1970; nevertheless I love this version, featured in Sergio Mendes’ 2006 Album Timeless, with the participation of his wife, Gracinha Leporace and iconic American artist Stevie Wonder.

 

95) Vanessa Da Mata & Ben Harper – “Boa Sorte/Good Luck ” (2007)

Award-winning, chart-topping singer, composer, and novelist, Vanessa da Mata got her start writing songs for artists such as Maria Bethania and Daniela Mercury. Despite the strength of her voice, it took her several years until she finally decided to record her own material, releasing her self-titled debut in 2002. It was her next album, Essa Boneca Tem Manuel, however, that really pushed her into the limelight, aided by the strength of the single “Ai Ai Ai“. Three years later her third album, Sim, was released. Sim spawned the hit single “Boa Sorte/Good Luck“, a duet with Ben Harper, which peaked at number one in both Brazil and Portugal and was the most played song in Brazilian radio stations in 2008.

96) Criolo – “Subirusdoistiozin” (2011)

Criolo is a rapper and soul singer. With a career starting in 1989, he originally got a reputation as one of São Paulo most important rappers. After the release of his second album, “Nó na Orelha” (Knot in the ear), he saw his popularity grow beyond São Paulo to all Brazil and abroad, leading to a successful worldwide tour. He has been characterized as “ the most interesting and unruly representative of the Brazilian new wave”.

Nó na Orelha” mixes rap, afrobeat, hip hop, reggae, samba and brega. It received positive reviews and was considered the best national album of 2011 by the magazine Rolling Stone. From this album, “Subirusdoistiozin” (Two-Old-Guys-Died) is the most popular track; it describes the general waywardness of favela street culture.

 

97) Marisa Monte – “Ainda Bem” (2011)

Multi-awarded singer, composer, instrumentalist, and producer, Marisa Monte is considered one of Brazil’s greatest singers; in fact, Rolling Stone Brasil listed Monte as the second greatest singer of all time after Elis Regina. She also has two records (MM and Verde, Anil, Amarelo, Cor-de-Rosa e Carvão) among the 100 best albums of Brazilian music.

Ainda Bem (“Just as well”) belongs to her highly praised eighth record O Que Você Quer Saber de Verdade (“What do you really want to know”), was considered by Billboard Brasil the best album of 2011. Originally, “Ainda Bem” was composed by Marisa for Italian singer Mina, who included it in her 2011 album Piccolino.

 

98) Dominguinhos & Arthur Maia – “Lamento Sertanejo ” (2014)

An emblematic representative of the forro music genre, Dominguinhos has had success as a musician, both solo and as a sideman for consecrated artists like Luís Gonzaga, Caetano VelosoGilberto Gil, Gal Costa, and Maria Bethânia. But also as a composer, he has produced hits recorded for some of the most important Brazilian artists; he has also written cinema soundtracks and has won four Prêmio Sharp Awards.

This is one of his biggest hits, composed in 1941. Initially instrumental, it was later re-recorded by Gilberto Gil, who wrote its lyrics. The song has received countless recordings and has been included in the soundtrack of several films and soap operas. The original version is beautiful; this version though, by Dominguinhos himself together with the great Brazilian bassist Arthur Maia, it’s just beguiling.

 

99) Adriana Calcanhotto – “Felicidade” (2015)

Adriana Calcanhotto is an MPB (Brazil popular music) singer and composer revealed in 1990, who has had great success in Brazil and helped bring MPB back to the hit parade after the 1980s’ Brazilian rock period.

Felicidade (“Happiness”) was written in 1947 by the great samba-canção composer Lupicínio Rodrigues; it was re-presented to Brazil by Caetano Veloso in 1974 who made it widely popular. Calcanhotto included it in her fourth live album Loucura (“Madness”), which is a tribute to Lupicínio Rodrigues.

 

100) Tiago Iorc & Milton Nascimento – “Mais Bonito Não Há” (2017)

Tiago Iorc is one of Brazil’s new talents. Singer-songwriter and record producer, with his debut album Let Yourself In, he gained notoriety after several of Tiago’s songs were featured on major Brazilian primetime soap operas, TV ads and films. Let Yourself In was also released in Japan with great success and in South Korea, where the public granted Tiago a Best Foreign Artist Award.

In 2017, he partnered with the incomparable Milton Nascimento (who declared being Tiago’s fan) and recorded some songs for the purpose of a national tour. This exquisite song (“Nothing more beautiful”) is the result of this partnership.

 

See also:

HOME BIRTH: SMART CHOICE OR RISKY BUSINESS? (Part 3)

In the Part 1 of Home birth: Smart choice or risky business? we analyzed the issues of personal satisfaction, maternal safety and baby’s risks. Part 2 dealt with hospital transfers, water birth and the situation in the Netherlands. Check out the last three reasons women choose home birth, and read the final conclusion to decide whether home birth is a clever or a dangerous option…

7) Home birth is cheap

home-birth-call-the-midwifeHome birth is cheaper… provided that no transfer is needed and nothing goes wrong

Cost-effectiveness is an important issue in every country with an organized health system. Countries like England or the Netherlands, where the National Health System (NHS) covers the cost of deliveries, have calculated that is cheaper that women deliver at home, avoiding a more expensive hospital admission. For example, the UK NHS “prices” home birth £1066 and birth at a hospital £1631. The economical factor is one of the reasons certain professional organizations support home labor, such as the Royal College of Obstetrics and Gynaecologists (RCOG) which states that: “home birth is the most cost-effective place for delivery”.

But this cost analysis has been challenged, as it does not take in consideration the high transport rates; in fact, a Dutch report calculates a general 3-fold increase of costs in patients transported during labor, when the costs of the midwife, the transport system, the obstetrician and the hospital are included. In addition, the costs derived from the maintenance of an adequate transport system (ambulances and trained staff) should not be neglected. Assuming increased neonatal risks, admissions to the neonatal intensive care unit, the lifetime costs of supporting neurologically disabled children and potentially increased professional liability costs resulting from a complicated home birth can potentially inflate the costs.

Indicative of these unexpected expenses is the article Home birth: What the hell was I thinking?  A journalist from The Guardian went on a mission following a home birth. After managing to deliver her child at home, both the woman and her baby had a complication and needed to be transferred to a hospital. Since the baby and the mother were not allowed to be in the same ambulance, two ambulances were required…

Regarding the costs arising from a private home birth, the situation varies in different countries; in the USA home births are not covered by health insurances, and a couple is expected to pay $1500 to 4500 to the midwife. Hospital births can range from $3,296 to 37,227, although they are usually covered totally or partially by the insurance. Of note: a doctor gets paid about $2500-4000, same as a midwife. Ιn Europe, a couple is expected to pay about 2000-3000 €; recently the Italian newspaper La Stampa published the article Home birth: a 3000 €  luxury that does not convince doctors.

8) “Birth is not a disease, it’s a natural thing. Mother nature can’t go wrong”

home-birth-birth-in-natureUnassisted childbirth: don’t try this at home – or anywhere else

Indeed, Mother nature is great. If you think about it, the whole process of labor and delivery seems to be so perfect, almost magical… But “natural” is not a synonym of “risk-free”. Sometimes Mother nature can play strange games. We may believe we have everything under control, but things may flip just in a second: think earthquakes, or tsunamis… Exactly the same thing applies to childbirth: even when someone seems to be “low risk”, disaster can strike without any warning …

Childbirth is inherently dangerous,” writes in her blog Amy Tuteur, an American obstetrician gynecologist. “In every time, place and culture, it is one of the leading causes of death of young women. And the day of birth is the most dangerous day in the entire 18 years of childhood”. Finally, she adds: “Why does childbirth seem so safe? Because of modern obstetrics. Modern obstetrics has lowered the neonatal mortality rate 90 per cent and the maternal mortality rate 99 per cent over the past 100 years.”

The absolute confidence in a woman body’s ability to deliver is expressed by supporters of unassisted childbirth (UC), the “hard core” version of home birth, which, although practised already since the 70s, it has lately seen a resurgence. Also known as freebirth, DIY (do-it-yourself) birth, unhindered birth, or unassisted home birth, it refers to women that intentionally deliver without the assistance of a physician or midwife; they may be completely alone (“solo birth”) or assisted by a lay person, such as the spouse, family, friend, or a non-professional birth attendant. There are no data on safety of UC, except that coming from a religious group in Indiana (USA) that found a perinatal mortality rate 2,7 times higher, and a maternal mortality rate 97 times higher than the state average.

Among the most famous UC advocates is Janet Fraser who, ironically, lost her baby after five days of home labour; in spite of that she continues to advocate for freebirth. In fact, UC is not endorsed by any scientific organization, as it is considered too dangerous. According to André Lalonde, executive vice-president of the Society of Obstetricians and Gynaecologists of Canada (SOGC):“Freebirth is the equivalent of playing Russian roulette with your child”.

9) I have the right to deliver wherever I want

home-birth-collageA home birth oxymoron: right to privacy vs. social media exposure

This is a very complex issue with ethical and legal connotations, which has originated intense debate among experts. Even scientific organizations differ in their recommendations. For example, The American College of Obstetricians and Gynecologists, until recently opposed to home births, has decided to temper its position: “…hospitals and birthing centers are the safest setting for birth, but it respects the right of a woman to make a medically informed decision about delivery.” On the other side, the American College of Nurse-Midwives (ACNM) maintains that “every family has a right to experience child birth in an environment where human dignity, self-determination, and the family’s cultural context are respected” and that “every woman has a right to an informed choice regarding place of birth and access to safe home birth services”. Let’s analyze the ethical and legal aspects of home birth:

Ethical issues

These are some of the ethicals dilemmas related to home birth:

Mother vs child safety. Although hospital birth seems to increase maternal interventions in all studies (apparently without increasing severe risk), the baby’s safety remains a subject of debate; taking though in consideration all the studies, there seems to be increased risk for the baby. Let’s take for example the Birthplace study (which is in somewhere in the middle). This study found that, particularly for first time mothers, the baby’s risk is 3 times higher (of which more that half of the cases are death and brain damage). Is it ethically acceptable for a woman to value her birth experience over her baby’s welfare? Is maternal emotional wellbeing so important to justify risking the baby’s health?

Respect for dignity and privacy. “Dignity” may have a different meaning for each person. Some home births supporters feel that the presence of a doctor and the hospital staff make them feel “degraded”; moreover “for some women the possibility of the loss of privacy is a major issue, because privacy is a valued possession”.

Is it not contradictory that so many women, zealous advocates of home birth and their right to privacy, do not hesitate to publish their home birth photographs and videos -some of them with incredible details- in every social media site, where they are exposed to the eyes of millions of people?

Self-determination. In order to make truly informed decisions about childbirth options, women need to be informed of what they are and have the possibility to discuss them. Is it ethical to offer the option of home birth knowing that there is increased risk for her baby? 

In theory, the person informing the pregnant woman should inform her objectively and avoid being paternalistic. The problem is that, informed decision-making implies accurate assessment of risks and benefits, but the safety of home birth remains debatable. Is it possible to inform objectively a pregnant woman about home birth? Or the information will be biased according to the health care provider beliefs or experiences?

Other possible ethical issues:

  • In the home birth situation, are a woman’s reproductive rights and medical responsibility incompatible with each other?
  • Where do a woman’s rights end and medical responsibility begins, especially considering that the physician is also responsible for the baby’s welfare?
  • In case of a baby adverse outcome that could have been prevented in a hospital setting, what will be the psychological consequences for the couple?
  • What is the psychological burden of a home birth in a family’s older children witnessing a home birth? What if a complication occur in their presence?

Legal issues

Legal issues can affect a woman’s decision to give birth at home in different countries. In certain places, home births are restricted, and even possibly criminally punishable, and family homes have been turned into crime scenes when women who have opted for homebirths experienced complications. In others countries, there are no regulating laws.

In Europe, the European Court of Human Rights (ECtHR) ruled in 2010 that Hungary had violated Article 8 of the European Convention on Human Rights (ECHR) because it had interfered with a woman’s right to choose where to give birth. Ms Ternovszky wanted to give birth at home but argued that she was prevented from doing so because a government decree dissuaded health care professionals from assisting home births. This case was the first decision by an international human rights organization on the right to choose the circumstances of giving birth, and was heralded by home birth advocates across Europe.

However, in a recent case against the Czech Republic, the Human rights judges decided that national authorities of each country has “considerable room for manoeuvre” when regulating home births, a matter for which there is no European consensus and which involves complex issues of health-care policy as well as allocation of State resources.

So, is home birth a smart choice or a risky business?

The Monty Python satirize the medicalisation of childbirth in The Meaning of Life

As an obstetrician who supports natural birth, I hear many times the women’s complaints about the excessive medicalization of childbirth. And I feel that sometimes they are right. However, being a mother myself, I never regretted my choice of a hospital birth for my children. After having helped so many women deliver their babies, I have seen many times complications that were totally unpredictable. Occasionally, these sudden complications are so serious, that we have to run -literally- from the delivery room to the operating room to save the baby or the mother! Therefore, even when having skilled professionals attending your home birth, even in countries with very organized structures, the distance to a hospital can prove fatal. Is for this reason that, in my opinion, a hospital birth is without any doubt the best choice for every woman. A birthing center attached to a hospital may also be a good choice.

True, the studies results are controversial, but for me “almost as safe as a hospital birth” is not enough to make me change my mind.

True also, a hospital birth is related to more epidurals, cesarean sections, instrumental deliveries and episiotomies. Regarding the epidural, if you can do it without one, that’s great! But sometimes labor pain is unbearable, and it’s not uncommon to see women without any pain relief who, when the moment to push comes, they are so exhausted and their pain is so overwhelming that they literally lose it. On the contrary, women with an epidural can be more focused and relaxed. The bottom line is: natural birth is not for everybody. And women don’t have to feel guilty because they chose to have an epidural. It’s better to have nice memories of your birth, and for that the epidural can help!

Whether too many cesareans sections are being done is a topic more controversial than home birth itself, and it would deserve a separate article. But what I can say is that, when cesarean sections are done in a judicious way by a conscious physician, they can save your life and your baby’s life. Since hospital births result in better neonatal outcome, it is clear to me that most interventions are an inevitable trade-off to save more babies or to avoid severe damage. The same goes for the controversial fetal monitoring, which may lead to more cesarean sections, it may not decrease perinatal mortality, but it reduces by 50% the risk of  brain damage. Personally, I would do anything in my power to reduce the chances of having a brain damaged baby.

Of course, a lot that should be done -and can be done- to improve hospital birth: create home-like conditions to help women be relaxed and empowered, allow women to walk during labor, give them possibility to push and deliver in any position they wish, avoid unnecessary interventions such as systematic episiotomies, etc. I believe that some efforts are slowly being done worldwide, but we still have a long way to go!

In conclusion, a woman has the right to choose where to deliver; however, until the risks are clarified, maternal wellbeing may undermine the child’s welfare. Therefore, in my opinion, a natural hospital birth is the safest choice. Natural hospital birth IS possible! You just need motivation and a supportive team…

Hospitals should increase their efforts to provide women with a friendly environment so they can deliver their babies in comfort and total safety. Every baby is precious, every mother is precious!

Photo credits

7) screenterrier.blogspot.gr; 8) news.com.au; 9) vimeo.com, Wikimedia Commons, thebirthhour.com, Flickr.comvimeo.com, homebirthaustralia.orgmindfulmamabirth.comFlickr.comhuffingtonpost.co.uklifedaily.com